Tango in Azul Fest It is a space dedicated to the elegance, passion, and emotional depth that define this emblematic Argentine style. This genre, recognized as Intangible Cultural Heritage of Humanity, combines precision, connection, and narrative to create a unique artistic experience.

Each tango choreography must reflect the essence of its body language: the intensity of the embraces, the fluidity of the movements, and the intimate connection between the performers. Musicality, technical mastery of signature steps such as eights, hooks, and voleos, and the ability to convey the emotions characteristic of this genre, such as melancholy, passion, and strength, are valued.

The goal of Tango en Azul Fest is to offer a space where technique, interpretation, and creativity come together to highlight the rich tradition and contemporary evolution of tango. This style celebrates the connection between the dancers and the audience, bringing the magic and intensity of tango to the stage at its finest.

It is determined by Calendar Age, that is, it will depend on the year of birth of the participants and is calculated as follows:

There will be a tolerance of 10 seconds.

In the event of not complying with the regulatory time

may lead to the disqualification of the group.

Please cooperate, keep your time well.

In all cases the timing of the routine will begin

with the 1st choreographic movement or musical note and will end in the same way.

He Tango It is a dance of precision, control, and connection, where each movement must be executed with fluidity and elegance. The correct application of technique in movement, posture, connection with the partner, and musicality will be evaluated, ensuring an authentic and refined interpretation of the style.

1.1 Execution of movements (10 points)

Evaluates precision, control, and technical quality in the execution of the characteristic steps of Tango.

One is expected firm and aligned posture, with the body axis controlled and a clear connection between the couple.

The movements must be elegant, precise and fluid, avoiding sudden movements or incomplete steps.

The correct execution of will be assessed walks, eights, turns, cuts and breaks, maintaining the characteristic aesthetics of Tango.

The body dissociation between torso and legs must be clear and defined, ensuring a stylized execution.

Stiff movements, lack of precision in turns, or poor technical execution will be penalized.

For soloists: The dancer's ability to execute each movement with firmness, fluidity, and control, while maintaining the essence of Tango, will be evaluated.

For duos, trios, teams, groups and mega groups: Uniformity of execution will be analyzed, ensuring that all dancers maintain a refined and cohesive technique.

1.2 Transitions (10 points)

Evaluate the fluidity and naturalness of the connection between movements, ensuring that transitions are harmonious and seamless.

In Tango, transitions must be soft and well structured, maintaining continuity between the steps.

Sequence changes are expected to respect the rhythm and cadence of music, avoiding unnecessary pauses or abrupt cuts.

The couple's ability to maintain will be assessed. the body connection during changes in dynamics and direction.

Transitions that lack fluidity, misalignments in movements, or interruptions in the line of movement will be penalized.

For soloists: We will analyze how each transition complements the choreographic structure without affecting the fluidity of the movement.

For duos, trios, teams, groups and mega groups: Synchronization in sequence changes and group cohesion in transitions will be assessed.

1.3 Body control (10 points)

It assesses the stability, alignment, and mastery of the body in the execution of movements, ensuring correct posture and efficient balance control.

In Tango, the center of the body must be active and controlled, allowing for elegant movement without excessive tension.

Dancers are expected to maintain a posture upright and firm, with precise balance in turns and walks.

Correct core activation will be assessed to ensure stable turns, controlled movements and a well-defined axis.

Executions with a lack of stability, loss of balance during turns, or misaligned movements will be penalized.

For soloists: The ability to maintain stability and control in each sequence without losing connection to the music and expressiveness will be measured.

For duos, trios, teams, groups and mega groups: Uniformity in body control and the group's ability to project synchronization and cohesion on stage will be analyzed.

The choreography in Tango is a combination of technique, connection and musicality, where each movement must be carefully structured to enhance the stage performance. The quality of the choreographic composition, the fluidity of the execution, and the dancers' ability to convey the essence of Tango with elegance and powerful interpretation will be evaluated.

2.1 Creativity and Originality (10 points)

It assesses the choreographer's ability to innovate within the framework of Tango, ensuring that the composition has identity and a strong visual impact.

The choreography is expected to maintain the essence of Tango, but also explores stylistic variations that reinforce the interpretation.

Creative use of walks, turns, breaks, figures and combinations of movements, generating a visually attractive and expressive proposal.

In group choreographies, the use of Formation changes, visual effects, and strategic movements, ensuring a balance between traditional structure and innovation.

Creativity must be integrated without losing the coherence of style, avoiding sequences that do not respect the essence of Tango.

Repetitive choreographies, those lacking a clear structure or those lacking scenic impact will be penalized.

For soloists: The dancer's ability to interpret the choreography with fluency, precision and expressiveness will be evaluated.

For duos, trios, teams, groups and mega groups: The way in which choreographic composition enhances the group's stage presence, ensuring cohesion and visual harmony, will be analyzed..

2.2 Technical Complexity (10 points)

Analyze the difficulty level of the choreography in relation to the correct execution of the steps and the fluidity of the movements.

The choreography is expected to include a variety of classic tango steps, such as walks, turns, cuts, sacadas, and voleos, executed with precision and control.

In group choreographies, the complexity also lies in the synchronization of movements, ensuring that all dancers maintain a uniform aesthetic line.

The correct integration of figures will be assessed, ensuring that each one is performed with the appropriate technique and energy for the Tango style.

Choreographies that lack technical challenge, with little variation in movements, or that lose the intensity of the Tango will be penalized.

For soloists: The dancer's ability to execute technical sequences fluidly, maintaining elegance and control in each movement, will be evaluated.

For duos, trios, teams, groups and mega groups: The way in which technical difficulty is integrated into the group composition will be analyzed, ensuring a refined execution with visual impact..

2.3 Use of Space (10 points)

Evaluates the distribution and use of stage space within the choreography, ensuring a balanced and elegant staging.

The stage is expected to be strategically positioned, allowing each movement to be projected with clarity and visual force.

In group choreography, movements and formation changes must be well organized, avoiding dead zones or unintentional transitions.

The balance between static and displacement movements will be analyzed, ensuring that the visual composition maintains dynamism without losing technical control.

Choreographies that do not make the most of the stage space, or that involve disorganized movement or poor layout that affects visual harmony will be penalized.

For soloists: The dancer will be assessed on how effectively he or she explores space, ensuring an expressive and well-projected performance.

For duos, trios, teams, groups and mega groups: The interaction between the dancers and the way in which the spatial distribution reinforces the choreographic proposal will be analyzed..

Musicality in tango is an essential aspect that defines the quality of the performance. The dancer's or group's ability to synchronize movements with the dynamic changes, accents, and musical cadence of the piece, ensuring precise and expressive execution, will be evaluated.

3.1 Musical Performance (10 points)

Evaluates the relationship between movements and musical structure, ensuring that each performance reflects the rhythmic essence of Tango.

In Tango, musicality must be precise, expressive and well marked, reflecting the changes in intensity of the melody.

The performance is expected to be synchronized with the musical accents, ensuring that each movement and figure matches the rhythmic structure of the music.

The dancer or couple's ability to play with pauses, silences, accelerations, and markings, generating a performance rich in nuances, will be assessed.

In group choreographies, the ensemble's ability to maintain a consistent musical interpretation will be evaluated, ensuring that all dancers respect the meter and cadence of the piece.

Performances that are out of sync with the music, movements that are off-beat, or movements that do not reflect the musical structure will be penalized.

For soloists: The dancer's ability to interpret music with rhythmic precision and expressiveness will be analyzed, ensuring synchronized and intentional performance.

For duos, trios, teams, groups and mega groups: Group cohesion in the musical performance will be assessed, ensuring that all dancers maintain the same rhythmic fit and a fluid connection with the song.

Key Elements of Musicality in Tango

Rhythmic precision: Each movement must be aligned with the musical accents and changes.

Using pauses and energy variations: The incorporation of strategic silences and rhythmic contrasts will be valued to enrich the interpretation.

Connection with music: Dancers must project the intention of the melody through their movements.

Group Sync: All performers must maintain the same rhythmic setting and reflect the changes in intensity of the music.

This block assesses the quality of execution, precision, synchronization, and group cohesion within the choreography. In Tango, each movement must project strength, elegance, and fluidity, ensuring an authentic and visually striking performance.

4.1 Individual Performance (Soloists) (15 points)

Evaluates the dancer's technical precision, body control, and stage presence throughout their performance.

Each performer is expected to maintain a clean and refined execution, respecting the posture and body line characteristic of Tango.

The performance must reflect control, firmness and elegance in movements, turns and markings.

The quality of postural alignment, walking technique, weight use, and fluidity of movement will be assessed.

The execution must maintain a uniform intensity, avoiding energy drops at key moments of the routine.

Inaccurate execution, lack of control in turns, loss of balance, or misalignments in performance will be penalized.

For soloists: The dancer's ability to perform with elegance and control will be evaluated, ensuring an interpretation faithful to the essence of Tango.

4.2 Synchronization and Cohesion (Duos, Trios, Teams, Groups and Mega Groups) (10 points)

Evaluates group coordination and uniformity in the execution of movements, ensuring that the whole group looks cohesive and visually balanced.

The group is expected to maintain precise synchronization during movements, formation changes, and pauses, ensuring an impactful performance.

In Tango, group cohesion is key to creating a harmonious and stylized staging.

All members will be assessed for performing movements with the same intention, projection, and level of control, avoiding noticeable differences in the quality of execution.

The uniformity of space distribution, the use of rhythmic accents, and the intensity of the group performance will be analyzed.

Mismatches in timing, energy gaps between members, or individual performances that disrupt group cohesion will be penalized.

For duos, trios, teams, groups and mega groups: Accuracy of timing and the ability to maintain a consistent and visually striking performance will be assessed.

4.3 Uniformity (Only for Duos, Trios, Teams, Groups and Mega Groups) (5 points)

Evaluates the homogeneity in the execution of movements, ensuring that all performers maintain the same aesthetic and technical level.

Consistency in posture, range of motion, and energy level will be measured, ensuring that the group remains cohesive at all times.

In group sequences, the intensity of movement and expressiveness must be balanced among all members.

Movements are expected to be precise and well-structured, avoiding imbalances that affect the visual harmony of the group.

Differences in performance between dancers, as well as variations in intensity or energy that disrupt the team's uniformity, will be penalized.

Key Elements of Tango Performance

Definition and cleanliness in the movements: Each step must be executed with clarity, intention, and correct alignment.

Control and stability: Posture and balance must be impeccable in every performance.

Group Sync: Unity and cohesion are essential in group choreographies.

Fluency and projection: The interpretation must maintain the energy and drama characteristic of Tango.

The visual impact of Tango is a determining factor in the staging. The overall aesthetic of the presentation will be evaluated, including costumes, characterization, visual cohesion, and stage expression, ensuring that each element reinforces the style's identity and drama.

5.1 Costume and Characterization (10 points)

Evaluate the coherence of the costume with the choreographic proposal and the identity of the Tango, ensuring that it reinforces the stage image without affecting the technical execution.

The costumes should reflect the elegance, sophistication and drama characteristic of Tango.

The use of traditional colors, cuts, and materials of the style will be valued, while maintaining harmony with the artistic proposal.

In group choreographies, the costumes must maintain visual cohesion, allowing the ensemble to project a uniform image without detracting from the individuality of each performer.

Clothing is expected to be functional and allow freedom of movement, ensuring comfort when moving, turning, and connecting with your partner.

Inappropriate clothing that restricts mobility or is inconsistent with the aesthetics of Tango will be penalized.

For soloists: The costume will be evaluated to ensure it enhances stage presence without compromising the fluidity of movement.

For duos, trios, teams, groups and mega groups: The uniformity and harmony of the wardrobe will be analyzed, ensuring that all members project a cohesive and well-structured image.

Key Elements of Visual Impact in Tango

Coherence with the artistic proposal: The aesthetics must be aligned with the music and choreography.

Functionality of the changing room: It should allow freedom of movement without interfering with technical execution.

Elegant and well-crafted style: Creativity and the use of details that enhance stage presence will be valued.

Group uniformity with artistic identity: In group choreographies, the image must be cohesive but allow each performer to maintain their personality within the ensemble.

Emotional connection is one of the fundamental pillars of Tango, as the dance is a profound expression of passion, nostalgia, and drama. Beyond technique, this section assesses the performers' ability to project their energy, convey genuine emotions, and reinforce the choreography's narrative through stage presence and attitude.

6.1 Stage Projection (5 points)

Evaluates the presence, attitude, and expressiveness of the dancer or group on stage, ensuring that the performance reflects the character of the Tango.

The stage projection in Tango must be firm, intense, and expressive, ensuring that each dancer connects with the story and the feeling of the choreography.

Performers are expected to maintain a strong attitude and a constant presence, reflecting the dramatic and elegant essence of Tango.

The gaze, posture, and facial expression must be authentic and aligned with the emotion conveyed by the music, avoiding exaggerations that affect the credibility of the performance.

In group choreographies, all members must project the same intensity and depth of interpretation, ensuring cohesiveness in expressiveness.

Lack of expressiveness, disconnection from the music, or a weak stage attitude that affects the performance will be penalized.

For soloists: The dancer's ability to convey emotion and stage presence will be measured, captivating the audience with their performance.

For duos, trios, teams, groups and mega groups: The uniformity of the stage projection of all members will be evaluated, ensuring that the energy and expressiveness are homogeneous.

Key Elements of Emotional Connection in Tango

Authenticity in interpretation: The emotional connection must be genuine and aligned with the character of the music.

Strong stage presence: Attitude and energy must remain constant throughout the presentation.

Interaction with the couple, the audience and the music: The ability to generate visual and emotional impact on viewers will be valued.

Group cohesion: In group choreographies, the emotional connection must be balanced and uniform, ensuring a homogeneous performance.

To ensure fairness and compliance with competition standards, deductions will be applied if participants fail to meet certain technical or structural aspects of their presentation.

Deductions will be subtracted from the total score obtained in the evaluation and will apply to soloists, duos, trios, teams, groups, and mega groups.

7.1 Time Exceeded (3 points will be deducted for every 10 seconds over the maximum time allowed.)

Each category has a set time limit for submission.

If the total choreography time exceeds the maximum allowed, 3 points will be deducted for every additional 10 seconds.

The duration must strictly adhere to tournament regulations to avoid penalties.

Suggestion: It is advisable to rehearse with a stopwatch to ensure that the choreography does not exceed the time limit.

7.2 Abrupt Musical Editing (5 points will be deducted if the music ends abruptly.)

The music editing should be clean and fluid, ensuring that the track ends naturally or with a proper closure.

If the music cuts off suddenly or without a fade out, a 5-point deduction will be applied.

The editing must be aligned with the choreographic concept, avoiding cuts that disrupt the performance experience.

Suggestion: It is recommended to review the track edition before the event and ensure it has a clean finish.

Key Elements to Avoid Deductions

Check the duration of the choreography: Make sure the music doesn't exceed the time limit.

Edit music correctly: Avoid abrupt cuts or unexpected terminations.

Rehearse with the final track: Check that the musical version fits well with the choreography before the competition.

Important Note:

Restriction of Dangerous Movements:

The use of whiplash and whiplash is prohibited in the Baby and Children categories.

In the other categories, it is recommended to pay special attention to the choice of movements, always prioritizing the safety of the dancers.

Use of Elements and Accessories on Stage:

The choice of music should be related to the elements used and the story you want to tell or develop in the choreography.

It is recommended to create situations and construct narratives that can be adapted to the group, taking into account the age and profile of the dancers.

The use of adult stories in children's choreography is discouraged.

Rules on the Use of Scenic Elements:

There will be no restrictions on the use of props, as long as they are not watery or remain on the stage after the performance, as they could interfere with the next act.

The use of fire, flares, or flammable materials is prohibited, as they pose a risk to the safety of participants and the public.

If props are used, the group must remove them during the blackout to ensure the continuity of the event.

Consideration of Skills:

Skills from other disciplines or dance styles outside the competition will not be evaluated.

The evaluation process is based on a detailed form covering various aspects of the presentation. The items evaluated and their corresponding scores are detailed below:

Technique (30 points):

Precision, control, and technical quality in the execution of movements are assessed, including fluid transitions and body control.

Choreography (30 points):

Creativity and originality.

Technical complexity.

Efficient use of stage space.

Musicality (10 points):

Precise interpretation and connection with the rhythmic and dynamic elements of the music.

Execution (15 points):

Soloists (15 points):

Stage presence, individual projection, and the ability to maintain precision and expressiveness throughout the performance are valued.

Duos, Trios, Teams, Groups and Mega Groups (15 points):

It includes synchronization, cohesion and uniformity among the members, ensuring a homogeneous collective performance.

Visual Impact (10 points):

Costumes and characterization, aligned with the style and artistic proposal of the choreography.

Emotional Connection (5 points):

Ability to convey emotions, stage projection and connection with the audience.

Total: 100 points

Deductions:

Time exceeded: -3 points for every 10 seconds additional to the maximum allowed time (after the 10-second tolerance).

Abrupt musical edition: -5 points if the music ends abruptly.

The teacher is responsible for the entry and exit of his students on stage, and for reviewing the manner of exit and entry.

He is legally responsible for each of his students and himself, and must sign a participation agreement before the event and present the documentation, including photocopies of the under-18 age categories, with the authorization of the parents.

The organization requires the instructor to take out liability insurance for their equipment, students, assistants, or companions, in case of injuries or any other damages that participants under their care may suffer. Otherwise, the instructor will be held responsible for any inconveniences arising from such incidents.

The teacher must have read and understood these regulations. I am only directing this to teachers who handle and use dance techniques with their students, understanding that they may be re-categorized depending on whether or not their presentation has the corresponding technique, and they may never discuss the jury's decision.

IMPORTANT: Children under 2 (two) years old do not pay admission, but neither do OCCUPY SEAT, otherwise they will have to pay the same.

It is prohibited to occupy the aisles, standing or sitting, for whatever reason.

Each person must remain in their seat throughout the entire show.

It is the teacher's obligation to transmit these rules to his or her participating audience.

At the time of the awards ceremony, only the teacher representing his or her school will go up.

Only the instructor and one adult, duly identified by the production company, will be allowed into the dressing rooms. In the case of a group of more than 30 people, mostly children, one additional adult will be allowed in.

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