Urban Rhythms in Azul Fest It's a celebration of the energy, authenticity, and creativity that defines emerging dance styles on the streets and urban stages. This space highlights the diversity and versatility of genres such as hip hop, dancehall, krump, popping, locking, waacking, voguing, and others, allowing performers to showcase their personal identity and style.

Each Urban Rhythms choreography must highlight the strength, precision, and distinctiveness of the movements. Originality in transitions, technical clarity, connection to the music, and the performers' ability to convey attitude and energy are valued. This style allows for the exploration of modern and innovative fusions while maintaining the authentic essence of urban genres.

The goal of Urban Rhythms at Azul Fest is to provide a space where passion and creativity meet technique and performance. Here, dancers have the freedom to express their identity and connect with the audience through the power of movement and urban culture.

It is determined by Calendar Age, that is, it will depend on the year of birth of the participants and is calculated as follows:

There will be a tolerance of 10 seconds.

In the event of not complying with the regulatory time

may lead to the disqualification of the group.

Please cooperate, keep your time well.

In all cases the timing of the routine will begin

with the 1st choreographic movement or musical note and will end in the same way.

The technique in Urban Rhythms It is an essential pillar that guarantees the correct execution of the characteristic movements of each style included in this modality: Hip Hop, Street Jazz, Reggaeton, Dancehall, Afrobeat and House Dance. Precision, correct application of each style, and group execution with technical and aesthetic coherence will be evaluated.

1.1 Execution of movements (10 points)

Evaluates the precision, control and technical quality of the movements executed.

Each style must be performed respecting its technical bases, avoiding disorderly mixtures that affect the identity of the movements.

Execution should reflect control, fluidity and body mastery, highlighting the quality of movement in each style.

Body isolation work will be valued in styles such as Hip Hop and Street Jazz, as well as explosiveness in Reggaeton and Dancehall.

In Afrobeat and House Dance, fluidity in weight changes, the use of natural rebounds and the work of energetic displacements will be considered.

Correct posture and the use of force in dynamic movements will be assessed, avoiding unnecessary blockages or excessive rigidity.

For soloists: Precise control of body and energy is expected, ensuring that each movement is interpreted with clarity and authenticity.

For duos, trios, teams, groups and mega groups: Consistent technical execution will be assessed across all members, ensuring uniform movement quality and no discrepancies in the application of the style.

1.2 Transitions (10 points)

Evaluates fluidity and continuity between movements, ensuring that transitions are natural and well-structured.

In Urban Rhythms, transitions should be energetic but controlled, ensuring a fluid connection between different sequences and styles.

The integration of movements, level changes, and turns without loss of stability or energy will be assessed.

Dancers are expected to adapt their center of gravity to the dynamic changes in styles, ensuring clean transitions without unnecessary pauses.

Abrupt transitions that do not follow the intention of the choreography or that cause imbalances in group synchronization will be penalized.

For soloists: The fluid connection between steps will be evaluated, avoiding interruptions that affect the performance.

For duos, trios, teams, groups and mega groups: Timing of movements and position changes will be analyzed, ensuring a clean transition throughout the formation.

1.3 Body control (10 points)

Evaluates alignment, posture and physical control during execution.

In styles such as Hip Hop and Street Jazz, precise control of movements is expected, ensuring clean body lines and defined postures.

In Reggaeton and Dancehall, the use of the center of gravity and the activation of the core will be assessed to achieve correct weight transfer in movements.

Afrobeat and House Dance They require conscious control of rhythm and body fluidity, taking advantage of musicality to enrich the performance.

Proper breathing and muscle relaxation are expected to allow for natural transitions and performances free from excessive tension.

For soloists: The ability to control execution with precision, avoiding imbalances or unnecessary tension, will be assessed.

For duos, trios, teams, groups and mega groups: The uniformity of body control among the members will be analyzed, ensuring aligned and consistent group performance.

Specific Rules

The dancers' presence on stage must be integrated with choreographic coherence. Some performers are allowed to enter and exit at certain times if this is justified within the artistic proposal and does not create unnecessary stage gaps.

Transitions between dancers should be organic and functional.

The successful integration of the fused styles will be assessed. Judges will evaluate whether each style is well represented, with clear execution and energy consistent with its identity, avoiding forced blends.

The choreography in Urban Rhythms It should reflect a balanced combination of style, musicality, and energy. The integration of different styles within the routine, creativity in composition, and effective use of the stage space will be evaluated.

2.1 Creativity and Originality (10 points)

It assesses the ability to innovate within the choreography, using combinations of movements, changes in dynamics, and novel transitions.

The artistic identity and originality of the proposal will be valued, avoiding repetitive structures or predictable movements.

The choreography should reflect the character of the fused styles, ensuring that each is distinguished within the composition.

The use of visual effects through group formations, level games, and unexpected rhythmic changes will be rewarded.

Creativity in the use of stage elements (if any) will be considered, provided that they add value to the presentation without interfering with the execution.

For soloists: The ability to maintain audience interest with a creative and dynamic approach, avoiding monotonous sequences, will be measured.

For duos, trios, teams, groups and mega groups: Group choreographic construction will be evaluated, ensuring that the movements and formations maintain an attractive and well-distributed visual structure.

2.2 Technical Complexity (10 points)

Analyze the difficulty level of the choreography in relation to the execution of urban styles, ensuring that the movements are challenging and well executed.

A balance between difficulty and technical control is expected, avoiding movements that exceed the dancers' capabilities and affect the quality of the performance.

The routine should include a variety of movements within the blended styles, exploring different levels of difficulty and well-crafted transitions.

In the case of groups, the difficulty increases with precise synchronization, dynamic formation changes and coordinated movements.

For soloists: The ability to sustain a technically challenging performance without losing control or quality of execution will be assessed.

For duos, trios, teams, groups and mega groups: The analysis will focus on how individual technical complexity adapts to the group structure, while maintaining coherence and fluidity in the choreographic proposal.

2.3 Use of Space (10 points)

Evaluates the distribution and use of stage space within the choreography, ensuring balanced and strategic movements.

Dancers are expected to explore different areas of the stage, avoiding excessive use of a single point or prolonged static formations.

The use of space at different levels (ground, middle and high) will be valued, in accordance with the energy of the choreography.

Lack of strategic movement or limited use of the stage, especially in group choreography, will be penalized.

For soloists: The dancer is expected to use the space in varied and expressive ways, generating a strong stage presence.

For duos, trios, teams, groups and mega groups: The correct distribution of dancers on stage will be evaluated, ensuring that transitions and formation changes reinforce the visual composition.

Musicality in Urban Rhythms It's key to connecting movements with the energy and rhythmic structure of the music. The dancers' interpretation of the accents, tempo changes, and dynamics of the chosen track will be evaluated, ensuring a performance that reflects the essence of urban styles.

3.1 Musical Performance (10 points)

Evaluates the dancer or group's ability to synchronize their movements with the rhythmic base and musical nuances.

The choreography is expected to have a precise musical interpretation, where every accent, pause, and change of energy is reflected in the movements.

Dancers must demonstrate awareness of rhythm, playing with different qualities of movement (smooth, explosive, marked, fluid).

The use of musical contrasts, such as accelerations, pauses, and energy changes, will be valued to enrich the performance.

In style fusions, we will evaluate how musical changes are reflected in the choreographic structure, maintaining coherence between sound and movement.

Routines that do not reflect a clear connection to the music, as well as movements that are out of sync with the rhythm, will be penalized.

For soloists: The dancer's ability to adapt to rhythmic changes and express musicality clearly, without losing fluidity, will be measured.

For duos, trios, teams, groups and mega groups: Collective synchronization with the music will be assessed, ensuring that all members reflect the rhythmic structure uniformly.

Key Elements of Musicality in Urban Rhythms

Rhythmic precision: Each movement must be aligned with the beat changes and musical nuances.

Using pauses and sound effects: The ability to play with silences and musical breaks to create impact will be valued.

Dynamism in execution: The choreography must reflect variations in the energy of the music without losing coherence.

Consistency in mergers: Style changes should coincide with musical transitions naturally.

This block evaluates the quality of the dancer's or group's performance, ensuring precision, uniformity, and visual coherence within the choreography.

4.1 Individual Performance (Soloists) (15 points)

Evaluates the dancer's precision, control, and projection throughout their entire performance.

A confident, energetic, and stage-present performance is expected, reflecting mastery of the chosen style.

Proper body activation is key to ensuring well-defined movements with the right intention.

The soloist must maintain a balance between explosiveness and control, avoiding imprecise or off-rhythm movements.

Your connection to the music and your ability to convey the right energy without losing clarity in your performance will be assessed.

For soloists: The ability to sustain technical quality and movement energy throughout the routine will be measured.

4.2 Synchronization and Cohesion (Duos, Trios, Teams, Groups and Mega Groups) (10 points)

Coordination between dancers is analyzed, ensuring that everyone maintains the same timing and rhythm without any discrepancies.

The team is expected to act as a unit in the execution of the movement, reflecting group cohesion and uniformity of energy.

In styles like Hip Hop and Afrobeat, timing is key to maintaining visual impact and clarity of style.

Group dynamics will be valued for alignment, avoiding marked differences in the quality of performance among members.

Formation transitions and changes must be fluid, ensuring that each dancer maintains a connection to the group structure.

For duos, trios, teams, groups and mega groups: Accuracy in joint execution will be assessed, ensuring a homogeneous visual impact.

4.3 Uniformity (Only for Duos, Trios, Teams, Groups and Mega Groups) (5 points)

Evaluates the homogeneity in the execution of movements, ensuring that all performers maintain the same aesthetic and energy.

Body alignment and execution must be consistent among all members of the group.

The intensity of movement and stage projection are expected to be equivalent for each dancer, avoiding noticeable differences in energy level.

A strong team must move as a unit, ensuring that each dancer contributes to the visual impact without clashing with the group.

Key Elements of Execution in Urban Rhythms

Definition and clarity of movements: Each step must be executed with intention and precision.

Energy and stage presence: Attitude and confidence in execution must be maintained throughout the presentation.

Group Sync: All dancers must act as a unit in the choreography.

Fluency and control: The movements must be executed with the correct energy without losing stability or alignment.

The visual impact on Urban Rhythms It is a key element for reinforcing the style's identity and enhancing the choreographic proposal. Aesthetic coherence in costumes, characterization, and staging will be evaluated, ensuring that these elements complement the energy of the choreography.

5.1 Costume and Characterization (10 points)

Evaluate the coherence of the costumes and visual elements in relation to the choreography concept and the identity of urban styles.

The wardrobe must be functional and allow mobility without interfering with technical execution.

Dancers will be valued for presenting an image aligned with urban culture, reflecting authenticity in their attire.

Creativity in customizing costumes will be allowed, as long as it does not affect the visual uniformity of the group.

In the case of style fusions, the coherence between the aesthetics and the styles represented in the choreography will be evaluated.

The use of costumes that restrict the execution of movements or that are unrelated to the artistic proposal will be penalized.

For soloists: The costumes are expected to enhance the dancer's personal expression and attitude, adding character to the performance.

For duos, trios, teams, groups and mega groups: The uniformity and cohesion of the locker room will be evaluated, ensuring that all members maintain a balanced image aligned with the concept.

Key Elements of Visual Impact in Urban Rhythms

Authenticity and coherence: The wardrobe must reflect the identity of the urban style interpreted.

Functionality: Clothing should allow freedom of movement without interfering with technical execution.

Style and attitude: Personality will be valued in the visual characterization without losing the essence of the group.

Group unit: In group choreographies, the visual elements must generate a sense of cohesion and scenic strength.

The emotional connection in Urban Rhythms It is essential to convey the attitude, energy, and character of each style. Beyond technique, this section evaluates the performers' ability to project their stage presence and make an impact on the audience.

6.1 Stage Projection (5 points)

Evaluate the presence and confidence of the dancer or group on stage, ensuring that each movement is charged with intention and expressiveness.

In Urban Rhythms, stage projection is key to conveying the essence of the style and maintaining the viewer's interest.

Dancers are expected to maintain a strong and convincing attitude, with a real connection to the music and choreography.

Eye contact, facial expression, and body intensity will be assessed in each performance.

The energy must be sustained throughout the presentation, avoiding moments of disconnection or lack of commitment to the performance.

Lack of expression, insecurity, or attitude that does not reflect the essence of urban styles will be penalized.

For soloists: The evaluation will assess how the dancer manages to fill the stage with their presence and how their individual performance impacts the audience.

For duos, trios, teams, groups and mega groups: All members will be assessed to ensure they project the same energy and attitude, avoiding differences in intensity that could disrupt group cohesion.

Key Elements of Emotional Connection in Urban Rhythms

Attitude and confidence: The interpretation must reflect confidence and determination in every movement.

Interaction with the audience: The ability to generate a direct connection with the audience through expression and energy is valued.

Consistency in projection: Stage presence must be maintained from beginning to end without loss of intensity.

Group cohesion: In groups, the emotional connection must be uniform, projecting itself as a team with aligned energy.

To ensure fairness and compliance with competition standards, deductions will be applied if participants fail to meet certain technical or structural aspects of their presentation.

Deductions will be subtracted from the total score obtained in the evaluation and will apply to soloists, duos, trios, teams, groups, and mega groups.

7.1 Time Exceeded (3 points will be deducted for every 10 seconds over the maximum time allowed.)

Each category has a set time limit for submission.

If the total choreography time exceeds the maximum allowed, 3 points will be deducted for every additional 10 seconds.

The duration must strictly adhere to tournament regulations to avoid penalties.

Suggestion: It is advisable to rehearse with a stopwatch to ensure that the choreography does not exceed the time limit.

7.2 Abrupt Musical Editing (5 points will be deducted if the music ends abruptly.)

The music editing should be clean and fluid, ensuring that the track ends naturally or with a proper closure.

If the music cuts off suddenly or without a fade out, a 5-point deduction will be applied.

The editing must be aligned with the choreographic concept, avoiding cuts that disrupt the performance experience.

Suggestion: It is recommended to review the track edition before the event and ensure it has a clean finish.

Key Elements to Avoid Deductions

Check the duration of the choreography: Make sure the music doesn't exceed the time limit.

Edit music correctly: Avoid abrupt cuts or unexpected terminations.

Rehearse with the final track: Check that the musical version fits well with the choreography before the competition.

Important Note:

Restriction of Dangerous Movements:

The use of whiplash and whiplash is prohibited in the Baby and Children categories.

In the other categories, it is recommended to pay special attention to the choice of movements, always prioritizing the safety of the dancers.

Use of Elements and Accessories on Stage:

The choice of music should be related to the elements used and the story you want to tell or develop in the choreography.

It is recommended to create situations and construct narratives that can be adapted to the group, taking into account the age and profile of the dancers.

The use of adult stories in children's choreography is discouraged.

Rules on the Use of Scenic Elements:

There will be no restrictions on the use of props, as long as they are not watery or remain on the stage after the performance, as they could interfere with the next act.

The use of fire, flares, or flammable materials is prohibited, as they pose a risk to the safety of participants and the public.

If props are used, the group must remove them during the blackout to ensure the continuity of the event.

Consideration of Skills:

Skills from other disciplines or dance styles outside the competition will not be evaluated.

The evaluation process is based on a detailed form covering various aspects of the presentation. The items evaluated and their corresponding scores are detailed below:

Technique (30 points):

Precision, control, and technical quality in the execution of movements are assessed, including fluid transitions and body control.

Choreography (30 points):

Creativity and originality.

Technical complexity.

Efficient use of stage space.

Musicality (10 points):

Precise interpretation and connection with the rhythmic and dynamic elements of the music.

Execution (15 points):

Soloists (15 points):

Stage presence, individual projection, and the ability to maintain precision and expressiveness throughout the performance are valued.

Duos, Trios, Teams, Groups and Mega Groups (15 points):

It includes synchronization, cohesion and uniformity among the members, ensuring a homogeneous collective performance.

Visual Impact (10 points):

Costumes and characterization, aligned with the style and artistic proposal of the choreography.

Emotional Connection (5 points):

Ability to convey emotions, stage projection and connection with the audience.

Total: 100 points

Deductions:

Time exceeded: -3 points for every 10 seconds additional to the maximum allowed time (after the 10-second tolerance).

Abrupt musical edition: -5 points if the music ends abruptly.

The teacher is responsible for the entry and exit of his students on stage, and for reviewing the manner of exit and entry.

He is legally responsible for each of his students and himself, and must sign a participation agreement before the event and present the documentation, including photocopies of the under-18 age categories, with the authorization of the parents.

The organization requires the instructor to take out liability insurance for their equipment, students, assistants, or companions, in case of injuries or any other damages that participants under their care may suffer. Otherwise, the instructor will be held responsible for any inconveniences arising from such incidents.

The teacher must have read and understood these regulations. I am only directing this to teachers who handle and use dance techniques with their students, understanding that they may be re-categorized depending on whether or not their presentation has the corresponding technique, and they may never discuss the jury's decision.

IMPORTANT: Children under 2 (two) years old do not pay admission, but neither do OCCUPY SEAT, otherwise they will have to pay the same.

It is prohibited to occupy the aisles, standing or sitting, for whatever reason.

Each person must remain in their seat throughout the entire show.

It is the teacher's obligation to transmit these rules to his or her participating audience.

At the time of the awards ceremony, only the teacher representing his or her school will go up.

Only the instructor and one adult, duly identified by the production company, will be allowed into the dressing rooms. In the case of a group of more than 30 people, mostly children, one additional adult will be allowed in.

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