He Pole Sport Tournament It is a structured competition that seeks to highlight and evaluate the technical and artistic abilities of participants within the discipline. This tournament is designed to provide a space where athletes can demonstrate their progress, respecting criteria of safety, execution, and creativity.

It is divided into two main modalities:

Sports Tournament: Based on the execution of mandatory technical movements, with evaluation focused on precision, difficulty, and body control. In this category, technical demands are paramount and are structured into progressive levels.

Artistic Tournament: Aimed at performance and stage expression, where creativity, character development, and choreographic composition play a central role. No specific technical movements are required, but fluidity and consistency in execution are valued.

Both modalities guarantee a competitive environment that promotes excellence in the Pole Sport, respecting the diversity of approaches within the discipline.

These guidelines establish the foundation of the tournament, ensuring fairness, security, and a clear regulatory framework for all participants.

It is determined by Calendar Age, that is, it will depend on the year of birth of the participants and is calculated as follows:

SOLOIST: One participant on both bars (static or rotating)

DUOS: Two participants must use both bars (one static and one rotating)

REMEMBER:

A single participant can register for as many choreographies as they wish, provided they are of a different type of tournament, style, or element.

For example, Maria signed up for Pole Sport solo in the Sports Tournament and the Artistic Tournament.

The times of routine iswill be determined by the type of tournament the participant signs up for and their level (The level is explained later in the regulations, according to the mandatory and prohibited exercises). The Routine includes both Floor Work and Element Work.

There are no minimum choreography times.

The following are the Maximum Routine times:

VERY IMPORTANT:

Failure to comply with the regulatory time may lead to disqualification.

Please cooperate, keep your time well.

In all cases the timing of the routine will begin with the 1st choreographic movement or musical note and will end in the same way.

He Pole Sport Tournament It is designed to evaluate athletes' technical precision, controlled execution of movements, and endurance in a competitive setting. It focuses on the correct application of the regulations established for each level, ensuring fair and progressive competition.

The fundamental pillars of this category are:

Technique and Execution: Quality and precision are prioritized in the execution of the figures, respecting body alignment, proper grips, and minimum holding times for each position. Both in the Static Pole as in the Rotating Pole, the cleanliness and control of each movement will be evaluated.

Progressive Difficulty: Routines should reflect a level of difficulty appropriate to the participant's level. (Initial, Amateur, Professional and Elite), ensuring a balance between technical challenge and safe execution.

Resistance and Transitions: Continuity of the routine, the ability to sustain figures, and fluidity in transitions are key aspects. The athlete's ability to integrate movements without unnecessary pauses, while maintaining control at all times, will be evaluated.

Compliance with Safety Standards: All routines must strictly adhere to established safety standards, ensuring the correct execution of movements without compromising the athlete's physical integrity.

Objectivity in Evaluation: Scoring is based on objective and measurable criteria, ensuring fairness and transparency in the competition. Factors such as quality of execution, difficulty, and fairness will be taken into account. of the transitions and efficient use of both types of bar (Static and Rotating).

This tournament allows athletes to demonstrate their highest level of technical precision and body control, challenging their own limits within a clear and fair competitive structure.

The choreography, as indicated in section 1, must be registered according to the type of tournament (Sports or Artistic) and according to the levels described, respecting the mandatory movements detailed below:

ESSENTIAL NOTE:

See definitions of the Movements in the Glossary attached to this Regulation.

In the case of Doubles, all participants must complete all mandatory movements for their category.

In it Pole Sport TournamentThe execution of the required exercises is the central focus of the evaluation. Correct application of technique, body alignment, and control of each movement are prioritized over other choreographic aspects. However, it is recommended that athletes also work on their connection to the music and fluidity in their transitions to achieve a harmonious performance.

Each competition level has specific mandatory exercises that participants must include in their routines. These exercises are designed to ensure proper technical progression and fairly evaluate each athlete's performance.

We recommend you review the section on “Sports Tournament Evaluation”, which details the criteria the jury will take into account and the aspects that should be included in your choreography, in addition to the following mandatory exercises according to your level:

The Duos categories in Pole Sport present a unique challenge by combining individual skill with partner coordination. Throughout all levels, from Beginner to Elite, evaluation focuses on the technical execution of figures, transitions, and inversions, tailored to the corresponding level. Furthermore, synchronization plays a fundamental role, reflecting the ability of the members to execute movements harmoniously and precisely, generating a visually striking performance.

Aspects such as the correct execution of strength and flexibility moves, the quality of climbs and inversions, and fluidity in transitions are assessed. In duos, specific elements are incorporated such as partner tricks, flights, and interlocking movements, which require a high degree of connection and technical control between the athletes.

Important note on the execution of movements in Duos and Pairs:

In the Duos categories, both participants are not required to perform all of the mandatory movements specified in the rules. Each pair may distribute the performances according to their strengths, as long as they adhere to the choreographic structure and evaluation criteria.

This consideration also applies to the Duplas category. In this case, the choreographies may include moments in which each athlete uses a separate pole and other moments in which they share the same element to perform the specific mandatory movements of the pair. It is not mandatory for both athletes to remain on the same pole throughout the routine..

In it Pole Sport Tournament, In addition to demonstrating your technical skills through the required figures, it's essential that you maintain the artistic development of your choreography. The combination of technical precision and artistic expression is what transforms a routine into a visually stunning performance with a unique identity.

Artistic development includes elements such as the connection with the audience, fluidity in movements, musical interpretation, and the ability to convey emotions through the execution of your performance in the static and rotating poleThese aspects not only enhance the quality of your routine, but also allow you to differentiate yourself by adding a personal and memorable touch.

While the evaluation prioritizes the correct execution of the mandatory exercises and the technical difficulty, the jury also values Creativity, cohesion in the narrative of the choreography and interaction with the pole in its various phases (floor, half-height, and full-height). Maintaining a balance between the technical and artistic aspects will be key to standing out in the competition.

He Artistic Pole Sport Tournament It is a space designed to stand out Creativity, narrative and stage performance at their finest. In this tournament, technique becomes a resource at the service of artistic expression, allowing each athlete to tell a story through movement, music, and their connection to pole.

In this format, priority is given interpretive skills such as dramatization, theatricalization and character building, beyond the technical complexity of the tricks. The focus is on the ability to convey emotions and the fluidity of the choreography, blending each movement with the chosen narrative concept.

Our goal is highlight creativity and emotional connection of each artist, allowing the technique to be a support of the story, but not its central axis.

Here, the static pole and the rotating pole They become fundamental tools for enhancing expression, exploring their use at different pitch levels and in combination with stage resources. The choice of music, costumes, and performance will be key to building a unique and memorable performance.

The Artistic Pole Sport Tournament combines visual, audio, and performing elements to create a unique event. The pillars of this category are:

Visual and Sound Narrative: Movements, music, and recorded storytelling work together to convey a message or emotion.

Ground-Pole Connection: The transitions between the ground and the pole must be fluid and aligned with the story you want to tell.

Stage Expression: The ability to convey emotions through the body, interpretation, and stage projection is key.

Originality and Creativity: Innovation in the use of space, movement combinations, and narrative devices to create an authentic performance are valued.

To participate in the Artistic Pole Sport Tournament, the performance must meet the following requirements:

Mandatory Recorded Story (Integrated into Music):

Must be included in the music track submitted by the participant.

It should not explain the choreography or detail the narrative, but rather complement it with an emotional or conceptual tone.

Example: A voice saying “The forest holds secrets that only the wind can reveal,” in a choreography that represents a journey between the heights and the ground.

Ground-Pole Connection:

Transitions between floor and pole movements should be organic, fluid, and contribute to the narrative.

Both the static pole and the rotating pole should be used in a balanced way, aligning their use with the story you want to tell.

Example: A character representing a butterfly could start on the ground, pretending to be trapped, before “flying” onto the rotating pole.

Narrative Props:

Props must be integrated into the performance narrative and safe for use on the pole.

It should not interfere with technical execution or put the athlete at risk.

Example: An umbrella could symbolize protection or vulnerability depending on the context, being used on the ground and in static poses on the pole.

Stage Expression:

Movements, facial expressions, and attitude should be aligned with the character or story.

Body posture on the pole should also contribute to the narrative.

Example: An act about mourning would include slow, expressive movements, with execution that conveys introspection and melancholy, using static pole for more dramatic moments.

Musicality:

The music should complement the visual narrative, with changes in rhythm reflected in the transitions between the static and rotating pole.

Musical accents should be used to enhance key moments in the choreography.

The judges will have a space on the evaluation sheet where they can choose to indicate weaknesses that led to the reduction of points, issues that need to be worked on, or highlight strengths that they recommend maintaining in the choreography and anything else they believe should be clarified, proposing improvements, advising changes to the choreography, among other issues that will help the participant improve their routine in case of qualifying for the World Cup.

Character Building: Is the identity of the character or story clear? (10 points)

Stage Presence: Does the character remain in place throughout the performance, including pole movements? (8 points)

Use of Gaze: Does it convey emotions and connect with the audience at all times? (6 points)

Organic Interpretation: Are there no interruptions outside the character, even during pole changes? (4 points)

Locker room: Is it functional and consistent with the narrative, without compromising safety on the pole? (2 points)

Compliance: Is the story integrated into the music and audible in the performance? (4 points)

Quality: Does the story complement the visual and scenic narrative in the pole? (4 points)

Emotional Impact: Does it create the desired effect on the audience and reinforce the story? (2 points)

Narrative Use: Does the prop have a clear purpose and not interfere with safety? (4 points)

Quality: Is it suitable and functional for use on the ground and in the air? (3 points)

Integration: Is it well incorporated into the movements, including transitions on the pole? (3 points)

Fluency: Are the transitions organic and natural, especially between floor and pole? (8 points)

Narrative: Do the transitions on the pole (static and rotating) contribute to the story? (7 points)

Musical Ear: Do you take advantage of the music's accents and stimuli during changes in speed and control on the pole? (7 points)

Music – Narrative Relationship: Does the music complement the proposal and is it reflected in the pole movements? (5 points)

Start and End: Are they clearly marked with the music, integrating floor and pole elements? (3 points)

Innovation: Is the proposal unique in its music, storytelling, and visual narrative? (7 points)

Use of Space: Does the pole effectively utilize the ground and all the heights? (5 points)

Creative Movements: Are the links and sequences original and not merely technical? (3 points)

General level: Is the performance engaging, exciting, and memorable from every angle? (5 points)

To ensure fairness in the competition and facilitate routine planning, the following rules are established regarding the arrangement of the poles on the stage:

The stage will always have a fixed post and a rotating post, with no possibility of modifying their order or configuration.

In all categories (Soloists, Duos and Pairs), the fixed pole will be located to the left of the stage (looking from the audience's perspective) and the rotating pole to the right.

Each competitor or team must adapt their choreography to this provision, without requesting changes in the location or type of post.

It is the athletes' responsibility to confirm the following details with the organization before the competition:

Height of the posts.

Material of the posts.

Distance between both poles (for Duos and Pairs).

Floor conditions (tatami, stage floor, common floor, etc.).

KEY FACT:

For those choreographies eligible to participate in the World Cup, it is suggested that they modify their choreography based on the judges' feedback during the Qualifying Tournament. However, they may choose to change their costumes, routine, and music if they wish. Qualifiers cannot change the element or category they initially entered.

Participants in Duo or Trio choreographies that have qualified for the final stage can be replaced, but new choreographies CANNOT be added without having gone through a qualifying stage.

The teacher is responsible for the entry and exit of his students on stage, and for reviewing the manner of exit and entry.

He is legally responsible for each of his students and himself, and must sign a participation agreement before the event and present the documentation, including photocopies of the under-18 age categories, with the authorization of the parents.

The teacher must have read and understood these regulations, which are addressed only to teachers who handle and use aerial acrobatics techniques with their students, understanding that they may be re-categorized depending on whether or not their presentation has the corresponding technique, and they may never dispute the jury's decision.

Disqualifications: The athlete or school in question will be immediately disqualified in cases of unsportsmanlike conduct or disrespect towards other athletes, members of the jury or any other person present at the event, at the discretion of the organization or the jury, as well as in the case of attitudes that incite violence, crime or illegal consumption on or off the stage at the discretion of the organization or the jury, attitudes with a highly sexual content or that violate the morals and privacy of individuals at the discretion of the organization or the jury.

Athletes waive any legal action against The Organization, its members, members of the jury, The Theater or Establishment, its staff and related parties for any loss, damage, injury or harm that may arise from their participation in the competition or that is related to participation in the competition, including transportation to and from the venue where the competition is held.

The attached registration form contains the fee for the presentation of the choreographies.

We are now available to answer any questions you may have.

• CLIMBING: In pole, climbing is a movement in which the acrobat ascends (climbing).

• SPECIALTY CLIMBING: Any unconventional ascent, to be considered well executed, must demonstrate a noticeable upward displacement of at least one and a half meters.
  
  Unconventional pull-ups require greater physical skill: hamstring pull-ups; hands-only pull-ups (pulling the arm); inverted pull-ups.

EXAMPLES:

• Inverted position: A strength movement that involves moving from a handstand position with the head up to an inverted position with the feet up and the head down. Hitting the post with the feet to assist the inversion is not permitted. All inversions must follow the rules outlined in each tournament.

It can occur in the following ways:

• Simple investment: flexed arms and bent legs (bun ball).
• Inversion with arms bent and legs extended.
• Inversion with straight arms and bent legs.
• Inversion in full extension, arms straight and legs extended.
• Complex inversion: when the bar is not on the side of the body.

• Decline: A quick and controlled descent on the pole, which must be a minimum of 1 (one) meter drop.
  
  There should be no hand contact with the pole during the descent.

• Deadlift: A deadlift is defined by the starting position of the body. The feet must touch the floor.
  
  before entering the deadlift. The body should be extended away from the pole before moving into the deadlift. The pole should NOT be used to assist the deadlift, and the legs should not be used to create momentum, a swinging, or kicking motion. The deadlift should end in a fully inverted position. The deadlift can be performed on either the static or rotating pole.

• Flexibility figures: A static figure in which the muscular elasticity of different parts of the body, such as the legs and lower back, is demonstrated. Flexibility figures must be held for a minimum of two seconds.
• Legs: Legs extended in a forward or center-split position. The legs are collinear, aligned, and extended.
  
  in opposite directions at an angle of 180 degrees or in a split position.
• Lumbar: Bridge and arch figure in which the back is minimally perpendicular to one or both legs,
  
  forming an angle of 90 degrees or less.
• Lumbar / Dorsal: Bridge, Arch are figures in which the back is positioned minimally perpendicular
  
  to one or both legs forming an angle of 90° (or less).
• Plank: A figure in which the acrobat's body is suspended parallel to the floor with a grip from one or both hands. The position can be supported by a specific muscle region. Examples: ventral, dorsal, lumbar, hip, arm, etc.
• Flags: Figure in which the acrobat's body is suspended from the pole with a hand grip. Example: one arm extended upwards and the other extended to the side, both in contact with the element, holding it with one hand; the element is in contact with the back or the neck, held firmly with the hands (axillary flag, dorsal flag of the neck).
• Balances: Figures in which the body is balanced on the element, supported by muscular contraction and posture. Examples: Split or divided balance without the use of hands; vertical; figures with bows supported by the hands.
• Others: Any other static figure in which strength dominates flexibility and muscle contraction and posture are required to maintain.
• CLARIFICATION: There are positions that can be both strength and flexibility, however, when performed, they will count as a single figure. For example: If a flexibility and a strength figure are required, and the acrobat performs a split balance, it will count as one balance, and another figure must be performed to meet the flexibility requirement.
• CLARIFICATION: There are movements that combine escape and fall. For example, a movement that falls approximately 1 meter (escape) and then concludes with a twist or change of body plane (fall).

If you have any questions about the figures or movements, please attach a photo of the figure or a video of the movement to the representative of the Azul region you have chosen.

We are happy to answer any questions.

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