REGGAETON GUIDELINES
Reggaeton in Azul Fest It is the ultimate expression of energy, rhythm, and attitude. This style celebrates the strength and connection with urban rhythms, highlighting the intensity and passion that characterize it. It is a space designed for artists to express themselves with confidence and authenticity through dynamic and stylish movements.
Each reggaeton choreography must emphasize precision, timing, and fluidity, with an emphasis on interpretation and connection to the music. Particularly valued are creativity in choreographic designs, clean transitions, and the performers' ability to convey strength, charisma, and energy.
The goal of Reggaeton at Azul Fest is to offer a space where artists can showcase their unique attitude, blending technique, creativity, and passion. This style prioritizes emotional connection with the audience, highlighting the freedom and authenticity that make reggaeton a global phenomenon.
CHOREOGRAPHY CATEGORIES AND TIMES
It is determined by Calendar Age, that is, it will depend on the year of birth of the participants and is calculated as follows:
Current Year – Year of Birth = Calendar Age
Example: 2025 – 2000 = 25 Years
SOLO/DUO/TRIO
CATEGORY | AGE | MINIMUM TIME | MAXIMUM TIME |
---|---|---|---|
Baby | 3 to 6 years | 1:10 minutes | 1:50 minutes |
Infant A | 7 to 9 years old | 1:10 minutes | 1:50 minutes |
Infant B | 10 to 12 years old | 1:10 minutes | 1:50 minutes |
Juvenile A | 13 to 15 years old | 2:00 minutes | 2:30 minutes |
Juvenil B | 16 to 18 years old | 2:00 minutes | 2:30 minutes |
Adult | 19 to 35 years old | 2:00 minutes | 2:30 minutes |
Senior | +35 years | 2:00 minutes | 2:30 minutes |
Professional | All ages | 2:00 minutes | 2:30 minutes |
Mix | Mix of ages | 2:00 minutes | 2:30 minutes |
TEAMS/GROUPS/MEGA GROUPS
CATEGORY | AGE | MINIMUM TIME | MAXIMUM TIME |
---|---|---|---|
Baby | 3 to 6 years | 2:00 minutes | 3:30 minutes |
Infant A | 7 to 9 years old | 2:00 minutes | 3:30 minutes |
Infant B | 10 to 12 years old | 2:00 minutes | 3:30 minutes |
Juvenile A | 13 to 15 years old | 2:00 minutes | 3:30 minutes |
Juvenil B | 16 to 18 years old | 2:00 minutes | 3:30 minutes |
Adult | 19 to 35 years old | 2:00 minutes | 3:30 minutes |
Senior | +35 years | 2:00 minutes | 3:30 minutes |
Professional | All ages | 2:00 minutes | 3:30 minutes |
Mix | Mix of ages | 2:00 minutes | 3:30 minutes |

There will be a tolerance of 10 seconds.
In the event of not complying with the regulatory time
may lead to the disqualification of the group.
Please cooperate, keep your time well.
In all cases the timing of the routine will begin
with the 1st choreographic movement or musical note and will end in the same way.
1. REGGAETON TECHNIQUE
He Reggaeton It's a dance style with urban roots that combines sensual, explosive, and defined movements with strong musicality and attitude. Technique in this genre must reflect control, strength, and fluidity, ensuring that movements are executed with precision and energy.
1.1 Execution of movements (10 points)
Evaluates the technical quality of the execution, ensuring that the movements are clear, defined, and well-structured.
Precise and clean execution is expected, with controlled muscle work and fluidity in step sequences.
In Reggaeton, hip, torso and leg movements play a key role, so their correct activation is essential.
Mastery of bounces, dissociations, and changes of rhythm will be assessed, maintaining body control in each movement.
Power in execution must be balanced with fluidity and naturalness of style, avoiding forced or exaggerated movements.
For soloists: The individual technical quality of each movement will be evaluated, highlighting cleanliness and body control.
For duos, trios, teams, groups and mega groups: Uniformity of execution and the ability to maintain a clear group identity without losing individual strength will be analyzed.
1.2 Transitions (10 points)
Evaluate the fluidity and naturalness of the connections between movements, ensuring that transitions are organic and seamless.
In Reggaeton, transitions must maintain the energy and continuity of the movement without generating abrupt cuts.
The ability to combine different dynamics within the choreography will be valued, ensuring well-integrated rhythm changes and levels.
Transitions are expected to allow for a fluid connection between sequences, while maintaining the intensity of the style.
Unnecessary pauses that disrupt the intention of the choreography or affect the energy of the performance will be penalized.
For soloists: The evaluation will be made of how the dancer connects each movement without losing coherence or rhythm in the execution.
For duos, trios, teams, groups and mega groups: The timing of movements and formation changes will be analyzed, ensuring that transitions are clean and visually striking.
1.3 Body control (10 points)
Evaluates the stability, coordination and alignment of the body during the performance of the dance.
Precise core control is expected, as it is the center of power and fluidity in the Reggaeton.
Correct postural alignment must be maintained even during high-intensity movements, avoiding misalignments in execution.
The ability to manage weight and direction changes without compromising stability and movement intent will be assessed.
Uncontrolled or imprecise executions that affect the visual quality of the style will be penalized.
For soloists: The ability to maintain complete control of the body in each movement will be analyzed, ensuring safety in execution.
For duos, trios, teams, groups and mega groups: Uniformity in posture and group control will be assessed, ensuring a cohesive and energetic image.
Specific Rules
The movements must reflect the identity of the Reggaeton, maintaining its essence without losing technical quality.
Choreographies must demonstrate mastery of bounce and body dissociations, ensuring correct rhythmic execution.
The group must work in synchrony and with visual cohesion, avoiding imbalances in the intensity and energy of the dancers.
2. CHOREOGRAPHY IN REGGAETON
The choreography in Reggaeton It must be a combination of energy, precision, and attitude. The proposal is expected to reflect the essence of the genre through striking rhythmic sequences, fluid transitions, and a powerful visual impact. The choreographic structure, creativity, and strategic use of the stage space will be evaluated.
2.1 Creativity and Originality (10 points)
Evaluates innovation within choreography, ensuring that movement combinations and staging provide a distinctive signature.
The choreography must be dynamic and with character, avoiding excessive repetitions or monotonous structures.
Innovative use of reggaeton movements will be valued, combining them with different textures and speeds to enrich the performance.
Dancers are expected to explore contrasts between explosive and smooth movements, adapting to the musicality of the Reggaeton.
In duos and groups, creativity must be reflected in the interaction between the dancers, generating striking visual effects and group dynamics.
Choreographies that lack cohesion or identity will be penalized.
For soloists: The ability to differentiate oneself with original movements and combinations that maintain the viewer's interest will be evaluated.
For duos, trios, teams, groups and mega groups: Creativity in the use of space and the interaction between dancers will be analyzed to generate a visually compelling choreographic proposal.
2.2 Technical Complexity (10 points)
Analyze the difficulty level of the choreography and the integration of movements that challenge precision and body control.
The choreography is expected to incorporate a variety of dynamics, from fluid movements to sharp, explosive accents.
The correct execution of isolations, dissociations, and level changes will be assessed, ensuring advanced technical mastery.
The complexity also lies in the ability to play with rhythmic changes, strategic pauses, and energy transitions.
In teams and groups, difficulty increases with synchronization of multiple layers of movement and dynamic formation changes.
For soloists: The ability to execute technically challenging choreography without losing precision or fluidity will be assessed.
For duos, trios, teams, groups and mega groups: We will analyze how individual complexity translates into a uniform and visually impactful group performance.
2.3 Use of Space (10 points)
Evaluates the distribution and use of stage space within the choreography, ensuring a balanced and strategic staging.
In Reggaeton, the use of space is key to generating dynamism and maintaining the energy of the choreography.
The dancers' ability to move fluidly, avoiding remaining in a single spot without a choreographic purpose, will be assessed.
In group performances, the distribution of dancers should be balanced and dynamic, avoiding dead zones on the stage.
Choreographies that lack strategic mobility or disorderly movements that affect the clarity of the presentation will be penalized.
For soloists: The dancer's ability to utilize the space to his or her advantage will be evaluated, ensuring a varied and expressive performance.
For duos, trios, teams, groups and mega groups: The interaction with other dancers and the way in which spatial distribution reinforces the choreographic proposal will be analyzed.
Specific Rules
The choreography must reflect the essence of the Reggaeton, using characteristic movements and avoiding fusions that dilute the identity of the style.
The strategic use of level changes, formations, and group visual effects that enhance the performance will be valued.
Pauses and moments of impact must be well synchronized with the music, taking advantage of rhythmic breaks and accents to reinforce the performance.
3. MUSICALITY IN REGGAETON
Musicality in Reggaeton It is a determining factor in choreographic execution. The dancer or group's ability to accurately interpret the rhythmic accents, pauses, and variations of the musical track while maintaining the genre's characteristic energy will be evaluated.
3.1 Musical Performance (10 points)
Evaluates the connection between movements and the sound elements of the music, ensuring that each action is in sync with the rhythmic structure of the piece. Reggaeton.
The choreography is expected to clearly reflect the changes in rhythm, accents and variations of the music.
The use of body isolation and dissociation to mark the beats and sub-beats of the song will be valued.
Reggaeton's musicality requires a dynamic interplay between explosive movements and strategic pauses, taking advantage of silences and musical effects.
In choreographic fusions, style changes will be evaluated to ensure they are aligned with musical transitions, avoiding abrupt breaks.
Routines that do not reflect a clear rhythmic connection or that are out of step with the musical structure will be penalized.
For soloists: The dancer's ability to naturally interpret musical nuances, demonstrating fluidity and rhythmic mastery, will be analyzed.
For duos, trios, teams, groups and mega groups: The group's synchronization with the music will be evaluated, ensuring that all members follow the tempo and dynamics of the track without any delays.
Key Elements of Musicality in Reggaeton
Rhythmic precision: Every movement must be aligned with the beats and dynamic changes of the music.
Use of silences and pauses: The choreography must take advantage of musical breaks to generate impact and control.
Fluency and accentuation: The execution of movements with variations in intensity will be assessed, adapting to the sound structure.
Constant energy: The performance must remain firm from beginning to end, respecting the power of reggaeton.
Specific Rules
The movement must be in tune with the rhythmic base of the Reggaeton, avoiding mismatches with the music.
Strategic pauses and changes in dynamics should enhance the performance, not create unnecessary gaps.
The fusion with other styles must be natural and in sync with the musical evolution of the track, avoiding forced transitions.
4. INDIVIDUAL PERFORMANCE AND GROUP COORDINATION IN REGGAETON
This section evaluates the quality of each dancer's performance and the cohesion within the group. Reggaeton, power, control and attitude are essential to project a strong and authentic performance.
4.1 Individual Performance (Soloists) (15 points)
Evaluates the dancer's precision, control, and expressiveness throughout the routine.
The execution must demonstrate clear technical mastery, with well-defined movements and constant energy.
The dancer is expected to maintain a strong stage presence, conveying confidence and security in each sequence.
Body control is key to ensuring clean transitions and well-defined movements, avoiding postural misalignments.
Correct body dissociation, precision in hip, torso, and leg movements, and quality in style projection will be assessed.
Unintentional movements, lack of connection to the music, or inconsistent execution throughout the choreography will be penalized.
For soloists: The dancer's ability to excel individually with solid technical execution and powerful performance will be assessed.
4.2 Synchronization and Cohesion (Duos, Trios, Teams)s, Groups and Mega Groups) (10 points)
Evaluates group coordination and uniformity in movement execution.
Dancers are expected to maintain a high level of synchronization in timing, transitions, and formations, ensuring a visually stunning performance.
In Reggaeton, group cohesion is key to generating collective energy and stage presence, without losing the individuality of each dancer.
The group will be valued for acting as a synchronized unit, with strength and balance in the execution of the steps.
Differences in intensity or mismatches in the execution of movements between group members will be penalized.
For duos, trios, teams, groups and mega groups: Precision in timing and the ability to maintain group cohesion without losing the individual essence of each performer will be analyzed.
4.3 Uniformity (Only for Duos, Trios, Teams, Groups and Mega Groups) (5 points)
Evaluate the homogeneity of the performance, ensuring that all members reflect the same energy and stage projection.
Uniformity of posture, range of motion, and strength of execution will be measured, ensuring that all dancers maintain a solid visual image.
In group choreography, it is essential that the dancers work together, ensuring that each movement has the same intensity and precision.
Significant differences in energy, marked lack of coordination, or performances of uneven quality will be penalized.
Key Elements of Reggaeton Performance
Definition and clarity in movements: Each step must be executed with precision, strength and control.
Connection with music: The performance must respond directly to the accents and musical structure of reggaeton.
Energy and stage presence: Each dancer must project attitude and confidence at all times.
Group Sync: In teams, unity and coordination are key to a high-impact presentation.
Specific Rules
Each dancer must maintain a firm performance and stage projection, avoiding energy fluctuations within the group.
Timing must be precise at all times, reflecting strong visual cohesion in formations and transitions.
Differences in performance quality will be penalized, ensuring that all dancers maintain a consistent level of performance.
5. VISUAL IMPACT IN REGGAETON
The visual impact on Reggaeton It's key to reinforcing the style's energy and identity. The overall aesthetic of the presentation will be evaluated, ensuring that the costumes, makeup, and staging complement the choreography and highlight the dancers' attitude.
5.1 Costume and Characterization (10 points)
Evaluate the coherence of the wardrobe with the identity of the Reggaeton and the artistic proposal of the choreography.
The wardrobe should reflect the urban essence of reggaeton, with a modern aesthetic and style appropriate.
The use of colors, textures, and accessories that enhance the stage image without affecting the dancer's mobility will be valued.
It's important that costumes maintain visual unity in group choreography, ensuring that all members reflect a cohesive image.
Clothing should be functional and comfortable, allowing for fluid movement without creating restrictions.
Costumes that are unrelated to the choreographic proposal or that create unnecessary distractions will be penalized.
For soloists: The clothing will be evaluated to ensure it reinforces the performer's attitude and personality on stage.
For duos, trios, teams, groups and mega groups: The uniformity and cohesion of the team's wardrobe will be analyzed, ensuring a balanced visual impact.
Key Elements of Visual Impact in Reggaeton
Stylistic coherence: The costumes must be aligned with the identity of reggaeton and the concept of the choreography.
Functionality and comfort: Clothing should allow freedom of movement without interfering with technical execution.
Striking aesthetics: Creativity and the use of details that enhance stage presence will be valued.
Group uniformity: In group choreographies, the costumes must reflect cohesion and a strong visual impact.
Specific Rules
The costumes should reinforce the stage setting without detracting from the choreography.
Creativity in the choice of colors, designs, and textures will be valued, as long as they are functional for the execution of the movement.
Accessories should be well integrated and not interfere with the dancers' mobility.
The use of inappropriate costumes or those that cause technical problems during the presentation will be penalized.
6. EMOTIONAL CONNECTION IN REGGAETON
The emotional connection in Reggaeton It is essential to convey the energy, sensuality, and attitude characteristic of the style. Beyond technical execution, this section evaluates the performer's ability to project their stage presence and connect with the audience through body and facial expression.
6.1 Stage Projection (5 points)
Evaluate attitude, confidence, and connection with the audience throughout the choreography.
In Reggaeton, stage projection is key to generating a strong visual impact and an authentic interpretation.
Dancers are expected to maintain a firm, confident attitude and stage presence, reflecting the urban and sensual essence of the genre.
The performers' ability to use their gaze, gestures, and body energy to convey emotion and confidence will be valued.
The projection must be natural and convincing, without forcing expressions or gestures that do not align with the choreography.
Lack of expressiveness, insecurity in performance, or disconnection from the music and the audience will be penalized.
For soloists: The dancer's ability to master the scene will be evaluated, maintaining a solid attitude and an emotional projection aligned with the choreography.
For duos, trios, teams, groups and mega groups: All members will be monitored to ensure they maintain the same intensity and expressiveness, avoiding differences in attitude that could disrupt group cohesion.
Key Elements of Emotional Connection in Reggaeton
Attitude and confidence: The interpretation must reflect confidence, strength and authenticity in every movement.
Interaction with the audience: Visual and gestural connection with the audience or the camera will be valued in the case of recorded presentations.
Consistency in projection: Stage presence must be maintained from beginning to end without losing intensity.
Group cohesion: In teams, all members must project the same energy and attitude, ensuring a consistent performance.
Specific Rules
The dancer's attitude and energy should reflect the identity of reggaeton, avoiding empty or disconnected interpretations.
Lack of stage presence and expressiveness will be penalized, as these are key elements in the interpretation of the genre.
The emotional connection must be organic and fluid, without forced or overacted gestures.
In group choreographies, all dancers must convey the same intensity and commitment, avoiding differences in stage presence.
7. DEDUCTIONS IN REGGAETON
To ensure fairness and compliance with competition standards, deductions will be applied if participants fail to meet certain technical or structural aspects of their presentation.
Deductions will be subtracted from the total score obtained in the evaluation and will apply to soloists, duos, trios, teams, groups, and mega groups.
7.1 Time Exceeded (3 points will be deducted for every 10 seconds over the maximum time allowed.)
Each category has a set time limit for submission.
If the total choreography time exceeds the maximum allowed, 3 points will be deducted for every additional 10 seconds.
The duration must strictly adhere to tournament regulations to avoid penalties.
Suggestion: It is advisable to rehearse with a stopwatch to ensure that the choreography does not exceed the time limit.
7.2 Abrupt Musical Editing (5 points will be deducted if the music ends abruptly.)
The music editing should be clean and fluid, ensuring that the track ends naturally or with a proper closure.
If the music cuts off suddenly or without a fade out, a 5-point deduction will be applied.
The editing must be aligned with the choreographic concept, avoiding cuts that disrupt the performance experience.
Suggestion: It is recommended to review the track edition before the event and ensure it has a clean finish.
Key Elements to Avoid Deductions
Check the duration of the choreography: Make sure the music doesn't exceed the time limit.
Edit music correctly: Avoid abrupt cuts or unexpected terminations.
Rehearse with the final track: Check that the musical version fits well with the choreography before the competition.

Important Note:
Restriction of Dangerous Movements:
The use of whiplash and whiplash is prohibited in the Baby and Children categories.
In the other categories, it is recommended to pay special attention to the choice of movements, always prioritizing the safety of the dancers.
Use of Elements and Accessories on Stage:
The choice of music should be related to the elements used and the story you want to tell or develop in the choreography.
It is recommended to create situations and construct narratives that can be adapted to the group, taking into account the age and profile of the dancers.
The use of adult stories in children's choreography is discouraged.
Rules on the Use of Scenic Elements:
There will be no restrictions on the use of props, as long as they are not watery or remain on the stage after the performance, as they could interfere with the next act.
The use of fire, flares, or flammable materials is prohibited, as they pose a risk to the safety of participants and the public.
If props are used, the group must remove them during the blackout to ensure the continuity of the event.
Consideration of Skills:
Skills from other disciplines or dance styles outside the competition will not be evaluated.
8. EVALUATION PROCESS
The evaluation process is based on a detailed form covering various aspects of the presentation. The items evaluated and their corresponding scores are detailed below:
Technique (30 points):
Precision, control, and technical quality in the execution of movements are assessed, including fluid transitions and body control.
Choreography (30 points):
Creativity and originality.
Technical complexity.
Efficient use of stage space.
Musicality (10 points):
Precise interpretation and connection with the rhythmic and dynamic elements of the music.
Execution (15 points):
Soloists (15 points):
Stage presence, individual projection, and the ability to maintain precision and expressiveness throughout the performance are valued.
Duos, Trios, Teams, Groups and Mega Groups (15 points):
It includes synchronization, cohesion and uniformity among the members, ensuring a homogeneous collective performance.
Visual Impact (10 points):
Costumes and characterization, aligned with the style and artistic proposal of the choreography.
Emotional Connection (5 points):
Ability to convey emotions, stage projection and connection with the audience.
Total: 100 points
Deductions:
Time exceeded: -3 points for every 10 seconds additional to the maximum allowed time (after the 10-second tolerance).
Abrupt musical edition: -5 points if the music ends abruptly.
And for the purposes of awarding points, the ranks are unified as follows:
9. RESPONSIBILITY OF THE TEACHER OR CHOREOGRAPHER
The teacher is responsible for the entry and exit of his students on stage, and for reviewing the manner of exit and entry.
He is legally responsible for each of his students and himself, and must sign a participation agreement before the event and present the documentation, including photocopies of the under-18 age categories, with the authorization of the parents.
The organization requires the instructor to take out liability insurance for their equipment, students, assistants, or companions, in case of injuries or any other damages that participants under their care may suffer. Otherwise, the instructor will be held responsible for any inconveniences arising from such incidents.
The teacher must have read and understood these regulations. I am only directing this to teachers who handle and use dance techniques with their students, understanding that they may be re-categorized depending on whether or not their presentation has the corresponding technique, and they may never discuss the jury's decision.
10. REQUIREMENTS AND FEES FOR PRESENTING CHOREOGRAPHY
IMPORTANT: Children under 2 (two) years old do not pay admission, but neither do OCCUPY SEAT, otherwise they will have to pay the same.
It is prohibited to occupy the aisles, standing or sitting, for whatever reason.
Each person must remain in their seat throughout the entire show.
It is the teacher's obligation to transmit these rules to his or her participating audience.
At the time of the awards ceremony, only the teacher representing his or her school will go up.
Only the instructor and one adult, duly identified by the production company, will be allowed into the dressing rooms. In the case of a group of more than 30 people, mostly children, one additional adult will be allowed in.
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