STREET JAZZ GUIDELINES

Street Jazz in Azul Fest It combines the elegance of jazz with the energy and attitude of urban styles. This space celebrates the versatility and dynamism of this genre, which stands out for its power, precision, and ability to connect with the audience through stylized, characterful movements.

Each Street Jazz choreography must reflect a unique fusion of jazz technique with modern and urban influences. Musicality, clean movement, fluid transitions, and a performance full of personality and charisma are valued. This style allows for exploration of everything from theatricality to contemporary influences, while always maintaining its urban essence.

The goal of Street Jazz at Azul Fest is to offer a space where creativity, attitude, and emotional connection take center stage. Here, artists can showcase their technical versatility and ability to convey energy and style, delivering impactful performances that captivate the audience.

CHOREOGRAPHY CATEGORIES AND TIMES

It is determined by Calendar Age, that is, it will depend on the year of birth of the participants and is calculated as follows:

Current Year – Year of Birth = Calendar Age

Example: 2025 – 2000 = 25 Years

SOLO/DUO/TRIO

CATEGORY AGE MINIMUM TIME MAXIMUM TIME
Baby 3 to 6 years 1:10 minutes 1:50 minutes
Infant A 7 to 9 years old 1:10 minutes 1:50 minutes
Infant B 10 to 12 years old 1:10 minutes 1:50 minutes
Juvenile A 13 to 15 years old 2:00 minutes 2:30 minutes
Juvenil B 16 to 18 years old 2:00 minutes 2:30 minutes
Adult 19 to 35 years old 2:00 minutes 2:30 minutes
Senior +35 years 2:00 minutes 2:30 minutes
Professional All ages 2:00 minutes 2:30 minutes
Mix Mix of ages 2:00 minutes 2:30 minutes

TEAMS/GROUPS/MEGA GROUPS

CATEGORY AGE MINIMUM TIME MAXIMUM TIME
Baby 3 to 6 years 2:00 minutes 3:30 minutes
Infant A 7 to 9 years old 2:00 minutes 3:30 minutes
Infant B 10 to 12 years old 2:00 minutes 3:30 minutes
Juvenile A 13 to 15 years old 2:00 minutes 3:30 minutes
Juvenil B 16 to 18 years old 2:00 minutes 3:30 minutes
Adult 19 to 35 years old 2:00 minutes 3:30 minutes
Senior +35 years 2:00 minutes 3:30 minutes
Professional All ages 2:00 minutes 3:30 minutes
Mix Mix of ages 2:00 minutes 3:30 minutes

There will be a tolerance of 10 seconds.

In the event of not complying with the regulatory time

may lead to the disqualification of the group.

Please cooperate, keep your time well.

In all cases the timing of the routine will begin

with the 1st choreographic movement or musical note and will end in the same way.

1. STREET JAZZ TECHNIQUE

The technique in Street Jazz It combines the precision of jazz with the attitude and style of urban movement. It focuses on clean execution of movements, fluidity between sequences, and a connection to musicality.

1.1 Execution of movements (10 points)

Evaluates the clarity, control and technical quality of the movements executed. In Street Jazz, precision and cleanliness in the execution of each step is essential, ensuring intentionality in the interpretation.

Defined execution is expected, with emphasis on body positioning and proper muscle activation.

Mastery of rapid movements, isolations and dynamic changes characteristic of the style is valued.

The energy must be constant and maintain a strong execution without losing control.

✅ For soloists: It measures the ability to maintain precise execution with strength and style.

✅ For duos, trios, teams, groups and mega groups: In addition to individual performance, uniformity of technique and group coherence in the performance of the style are evaluated.

1.2 Transitions (10 points)

Evaluate fluidity and continuity between movements, ensuring that transitions are clean and natural.

In Street Jazz, transitions must be energetic but controlled, avoiding abrupt cuts that affect musicality.

Changes in levels, directions and positions are expected to maintain a constant fluidity without loss of energy.

Transitions that create unnecessary pauses or disrupt the choreographic intent will be penalized.

✅ For soloists: Each transition must be clear and flow naturally within the movement proposal.

✅ For duos, trios, teams, groups and mega groups: Coordination in group transitions is assessed, ensuring fluidity and synchronization.

1.3 Body control (10 points)

Evaluates alignment, posture and physical control during execution.

Street Jazz requires conscious use of the body's core to maintain stability in high-energy movements.

Precision is expected in weight shifts and movement projection without generating unnecessary tension.

Control in isolation and the execution of marked accents without loss of fluency are valued.

✅ For soloists: The ability to control each movement with force, avoiding technical errors that affect the quality of the presentation, is measured.

✅ For duos, trios, teams, groups and mega groups: Uniformity in posture, alignment, and movement control among team members is assessed.

2. CHOREOGRAPHY IN STREET JAZZ

The choreography in Street Jazz It is a fusion of dynamism, precision, and stage expression. It focuses on the energy of movement, the creativity of combinations, and the connection with music.

2.1 Creativity and Originality (10 points)

Evaluates the ability to generate innovative movement sequences with their own identity within the style Street Jazz.

The combination of jazz elements with urban and commercial movements is valued, maintaining coherence in the proposal.

Creativity should be reflected in the choreographic structure, the use of spatial planes and dynamic transitions.

The use of unexpected accents, rhythmic changes, and contrasts in the energy of movement will be rewarded.

✅ For soloists: The ability to stand out individually through combinations of original steps and strong visual impact is measured.

✅ For duos, trios, teams, groups and mega groups: The evaluation assesses how group interaction and visual effects reinforce the identity of the choreography.

2.2 Technical Complexity (10 points)

Analyze the difficulty level of the choreography, including the execution of quick movements, isolations, explosive transitions, and style combinations.

The choreographic proposal is expected to contain level changes, marked accents, and coordination of dynamics with clean transitions.

Technical complexity lies not only in the movements, but in the ability to maintain precision and synchronization in high-speed combinations.

In groups, the difficulty of formations and synchronized position changes are considered.

✅ For soloists: The ability to execute advanced sequences without losing technical quality or control is measured.

✅ For duos, trios, teams, groups and mega groups: It assesses how individual complexity merges with group performance, generating an impactful performance.

2.3 Use of Space (10 points)

Evaluates the distribution and use of stage space within the choreography.

In Street Jazz, the use of space must be dynamic and based on the intention of the movement and the choreographic structure.

Lack of movement or limited use of available space is penalized.

Variety in movement directions and stage projection is valued.

✅ For soloists: The performer is expected to use the space effectively, avoiding staying in one place without purpose.

✅ For duos, trios, teams, groups and mega groups: The equitable distribution of dancers on stage and the synchronized execution of movements and formation changes are evaluated.

3. MUSICALITY IN STREET JAZZ

Musicality in Street Jazz It's key to highlighting the movement's connection to the rhythms, accents, and dynamic changes of the music. This section evaluates how dancers interpret the musical structure, aligning their movements with the energy and sonic intent of the chosen piece.

3.1 Musical Performance (10 points)

Evaluates the dancer's or group's ability to synchronize movements with the rhythmic and melodic structure of the music.

In Street Jazz, musical interpretation is fundamental, since each rhythmic accent can be accurately reflected in the body.

The ability to play with changes in tempo, pauses, and silences, generating expressive contrasts in the choreography, is valued.

Musicality involves not only following the rhythm, but also interpreting the nuances, highlighting the variations in the music with changes in energy and speed.

Performances that do not reflect a clear connection to the musical track or that lose rhythmic fit in the performance will be penalized.

✅ For soloists: The dancer's ability to individually interpret musicality is measured, reflecting changes in rhythm and accents with expressiveness.

✅ For duos, trios, teams, groups and mega groups: Group cohesion in musical performance is assessed, ensuring that all members maintain the same rhythmic setting and energy level.

Key Elements of Musicality in Street Jazz

✔ Rhythmic precision: The movements must adjust to the changes and accents of the music clearly and effectively.

✔ Use of pauses and silences: The ability to incorporate strategic moments of stillness to generate visual impact is valued.

✔ Dynamism in execution: Dancers must play with the energy of movement according to the musical structure.

✔ Synchronization with sound effects: Connection with the effects of the music track will be rewarded, generating a more powerful and visually compelling performance.

4. INDIVIDUAL PERFORMANCE AND GROUP COORDINATION IN STREET JAZZ

This block evaluates the quality of the dancer's or group's performance, ensuring precision, uniformity, and visual coherence within the choreography.

4.1 Individual Performance (Soloists) (15 points)

Evaluates the dancer's precision, control, and projection throughout their entire performance.

The soloist must demonstrate absolute mastery of movement, maintaining energy, attitude and precision in each performance.

The performer is expected to maintain a strong stage presence, with well-defined and accentuated movements.

The performance should convey confidence and security, without technical errors or loss of energy in the interpretation.

The ability to adapt to changes in pace and dynamics is measured, ensuring smooth and consistent transitions.

✅ For soloists: Endurance, precision, and consistency in the execution of movements are valued, ensuring quality from start to finish.

4.2 Synchronization and Cohesion (Duos, Trios, Teams, Groups and Mega Groups) (10 points)

Coordination between dancers is analyzed, ensuring that everyone maintains the same timing and rhythm without any discrepancies.

In Street Jazz, synchronization is essential to creating visual impact. Dancers are expected to execute movements with the same energy and precision.

Each member's performance will be evaluated on how they adjust to the musical tempo, avoiding delays or overtaking in the performance.

Formation changes should be made with clean, fluid transitions, without losing the energy of the ensemble.

Members are expected to maintain the same quality of movement, avoiding marked differences in execution within the group.

✅ For duos, trios, teams, groups and mega groups: Uniformity in rhythm and transitions is valued, projecting cohesion throughout the routine.

4.3 Uniformity (Only for Duos, Trios, Teams, Groups and Mega Groups) (5 points)

Evaluates the homogeneity in the execution of movements, ensuring that all performers maintain the same aesthetic and energy.

Consistency in posture, range of motion, and intensity level is measured, avoiding differences between team members.

A cohesive group should move as a fluid unit, where each dancer reinforces the visual structure without standing out individually (unless intentional within the choreography).

Clean formations, synchronous transitions, and unity in the interpretation of movements are valued.

Key Elements of Street Jazz Performance

✔ Definition of movements: All steps must be executed with clarity and power.

✔ Connection with music: The execution must respond directly to the rhythmic accents.

✔ Fluency and control: The dancer or group must move confidently and naturally, without forcing movements.

✔ Accuracy and timing: For groups, accuracy in joint execution is essential.

5. VISUAL IMPACT IN STREET JAZZ

The visual impact on Street Jazz It complements the artistic proposal, reinforcing the stage identity and cohesion of the presentation. This section evaluates the costumes, aesthetics, and characterization of the performers, ensuring that all visual elements contribute to the style's energy and attitude.

5.1 Costume and Characterization (10 points)

Evaluate the aesthetic coherence of the costumes and accessories in relation to the essence of the Street Jazz.

The costumes should enhance the dancers' mobility, allowing for fluid performance without restrictions.

The attire is expected to reflect the style's energetic and versatile character, aligning with the choreography's concept.

The use of creative combinations that complement the stage identity of the group or soloist, without interfering with the technical execution, will be valued.

Makeup, hair, and accessories should blend naturally, avoiding excesses that distract from the performance.

Costumes that restrict movement or are unrelated to the artistic proposal will be penalized.

✅ For soloists: The costumes are expected to enhance the dancer's expression, adding personality and style to the performance.

✅ For duos, trios, teams, groups and mega groups: Group uniformity and coherence are assessed, ensuring that the visual elements contribute to the team's identity without losing harmony.

Key Elements of Visual Impact in Street Jazz

✔ Conceptual coherence: The costumes and visual elements must be aligned with the artistic proposal.

✔ Functionality: Clothing should allow freedom of movement without interfering with performance.

✔ Style and creativity: Originality in visual presentation is valued without losing the essence of Street Jazz.

✔ Group uniformity: In group choreographies, visual elements should generate a sense of unity and stylistic reinforcement.

6. EMOTIONAL CONNECTION IN STREET JAZZ

The emotional connection in Street Jazz It's a key element for conveying attitude, energy, and confidence on stage. Beyond technique, this section evaluates the performers' ability to project their stage presence and make an impact on the audience.

6.1 Stage Projection (5 points)

Evaluate the presence and confidence of the dancer or group on stage, ensuring that each movement is charged with intention and expressiveness.

In Street Jazz, stage projection is vital to transmit the energy of the style and maintain the viewer's interest.

Dancers are expected to maintain a strong and convincing attitude, with a real connection to the music and choreography.

Eye contact, facial expression, and body intensity are valued in each performance.

The energy must be sustained throughout the presentation, avoiding moments of disconnection or lack of commitment to the performance.

Lack of expression, insecurity, or attitude that does not reflect the essence of Street Jazz will be penalized.

✅ For soloists: It measures how the dancer manages to fill the stage with his or her presence and how his or her individual performance impacts the audience.

✅ For duos, trios, teams, groups and mega groups: It is assessed that all members project the same energy and attitude, avoiding differences in intensity that could break group cohesion.

Key Elements of Emotional Connection in Street Jazz

✔ Attitude and confidence: The interpretation must reflect confidence and determination in every movement.

✔ Interaction with the audience: The ability to generate a direct connection with the audience through expression and energy is valued.

✔ Consistency in projection: Stage presence must be maintained from beginning to end without loss of intensity.

✔ Group cohesion: In groups, the emotional connection must be uniform, projecting itself as a team with aligned energy.

7. DEDUCTIONS IN STREET JAZZ

To ensure fairness and compliance with competition standards, deductions will be applied if participants fail to meet certain technical or structural aspects of their presentation.

Deductions will be subtracted from the total score obtained in the evaluation and will apply to soloists, duos, trios, teams, groups, and mega groups.

7.1 Time Exceeded (3 points will be deducted for every 10 seconds over the maximum time allowed.)

Each category has a set time limit for submission.

If the total choreography time exceeds the maximum allowed, 3 points will be deducted for every additional 10 seconds.

The duration must strictly adhere to tournament regulations to avoid penalties.

✅ Suggestion: It is advisable to rehearse with a stopwatch to ensure that the choreography does not exceed the time limit.

7.2 Abrupt Musical Editing (5 points will be deducted if the music ends abruptly.)

The music editing should be clean and fluid, ensuring that the track ends naturally or with a proper closure.

If the music cuts off suddenly or without a fade out, a 5-point deduction will be applied.

The editing must be aligned with the choreographic concept, avoiding cuts that disrupt the performance experience.

✅ Suggestion: It is recommended to review the track edition before the event and ensure it has a clean finish.

Key Elements to Avoid Deductions

✔ Check the duration of the choreography: Make sure the music doesn't exceed the time limit.

✔ Edit music correctly: Avoid abrupt cuts or unexpected terminations.

✔ Rehearse with the final track: Check that the musical version fits well with the choreography before the competition.

Important Note:

Restriction of Dangerous Movements:

The use of whiplash and whiplash is prohibited in the Baby and Children categories.

In the other categories, it is recommended to pay special attention to the choice of movements, always prioritizing the safety of the dancers.

Use of Elements and Accessories on Stage:

The choice of music should be related to the elements used and the story you want to tell or develop in the choreography.

It is recommended to create situations and construct narratives that can be adapted to the group, taking into account the age and profile of the dancers.

The use of adult stories in children's choreography is discouraged.

Rules on the Use of Scenic Elements:

There will be no restrictions on the use of props, as long as they are not watery or remain on the stage after the performance, as they could interfere with the next act.

The use of fire, flares, or flammable materials is prohibited, as they pose a risk to the safety of participants and the public.

If props are used, the group must remove them during the blackout to ensure the continuity of the event.

Consideration of Skills:

Skills from other disciplines or dance styles outside the competition will not be evaluated.

8. EVALUATION PROCESS

The evaluation process is based on a detailed form covering various aspects of the presentation. The items evaluated and their corresponding scores are detailed below:

Technique (30 points):

Precision, control, and technical quality in the execution of movements are assessed, including fluid transitions and body control.

Choreography (30 points):

Creativity and originality.

Technical complexity.

Efficient use of stage space.

Musicality (10 points):

Precise interpretation and connection with the rhythmic and dynamic elements of the music.

Execution (15 points):

Soloists (15 points):

Stage presence, individual projection, and the ability to maintain precision and expressiveness throughout the performance are valued.

Duos, Trios, Teams, Groups and Mega Groups (15 points):

It includes synchronization, cohesion and uniformity among the members, ensuring a homogeneous collective performance.

Visual Impact (10 points):

Costumes and characterization, aligned with the style and artistic proposal of the choreography.

Emotional Connection (5 points):

Ability to convey emotions, stage projection and connection with the audience.

Total: 100 points

Deductions:

Time exceeded: -3 points for every 10 seconds additional to the maximum allowed time (after the 10-second tolerance).

Abrupt musical edition: -5 points if the music ends abruptly.

And for the purposes of awarding points, the ranks are unified as follows:

40 TO 70 POINTS

THIRD PLACE

71 TO 84 POINTS

SECOND PLACE

85 TO 100 POINTS

TOP

9. RESPONSIBILITY OF THE TEACHER OR CHOREOGRAPHER

The teacher is responsible for the entry and exit of his students on stage, and for reviewing the manner of exit and entry.

He is legally responsible for each of his students and himself, and must sign a participation agreement before the event and present the documentation, including photocopies of the under-18 age categories, with the authorization of the parents.

The organization requires the instructor to take out liability insurance for their equipment, students, assistants, or companions, in case of injuries or any other damages that participants under their care may suffer. Otherwise, the instructor will be held responsible for any inconveniences arising from such incidents.

The teacher must have read and understood these regulations. I am only directing this to teachers who handle and use dance techniques with their students, understanding that they may be re-categorized depending on whether or not their presentation has the corresponding technique, and they may never discuss the jury's decision.

10. REQUIREMENTS AND FEES FOR PRESENTING CHOREOGRAPHY

IMPORTANT: Children under 2 (two) years old do not pay admission, but neither do OCCUPY SEAT, otherwise they will have to pay the same.

It is prohibited to occupy the aisles, standing or sitting, for whatever reason.

Each person must remain in their seat throughout the entire show.

It is the teacher's obligation to transmit these rules to his or her participating audience.

At the time of the awards ceremony, only the teacher representing his or her school will go up.

Only the instructor and one adult, duly identified by the production company, will be allowed into the dressing rooms. In the case of a group of more than 30 people, mostly children, one additional adult will be allowed in.

We are now available to answer any questions you may have.

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